When Chaim Potok’s
novel My Name is Asher Lev was published in 1972, it spent six months on
the New York Times best seller list, and was widely praised by critics for its
powerful, sensitive, moving story, especially, according to the Wall Street
Journal, for its “vision of humanity, of religion, of art”.
It is within that
spirit that the stage adaptation of Potok’s novel is being presented by the
Segal Centre to open its 2016-2017 subscription season, and is playing there
until October 2.
The story centres
around Asher Lev (David Reale), a young observant Jew who lives in Brooklyn
during the late 1940s and early 50s. Asher possesses a natural talent to draw
and draw ell, and is eager to draw no matter what surface he finds, whether it
be a stray piece of paper or the pages of a prayer book. In fact, he much
rather do these drawings than devote his time to his scholarly and religious
studies, which compels his mother (Ellen David) to encourage him to develop his
talent, and infuriates his father (Alex Poch-Goldin), a travelling emissary for
the Rebbe.
When Asher’s
artistic talents are nurtured by veteran New York painter Jacob Kahn (also
played by Poch-Goldin), he realizes that he has a future transcending his
drawings onto canvas for the world to see. However, because the subject matter
he paints (mainly nudes and crucifixions) goes against the principles of his
faith, Asher is constantly torn to choose one aspect of life over the other:
whether he should be a good Jew or a great artist.
The stage
adaptation of “My Name is Asher Lev”, which is produced in conjunction with the
Royal Manitoba Theatre Centre, is quite faithful to Potok’s novel. It gives the
audience a strong picture of how a religious person in modern times who
possesses a rare artistic gift sometimes faces that difficult situation of
choosing between their faith or their talent, and the long, tortuous road one
travels to reach that important personal decision. David Reale is excellent in
the title role, and has that uncanny ability to transform Asher from age 6 to
13 to 20 by simply putting on a vest or slightly changing the cadence of his
voice. As well, special kudos go to his co-stars Alex Poch-Goldin and Ellen
David for successfully accomplishing the difficult task of performing,
respectively, all the other male and female roles (from Asher’s parents, to
painter Jacob Kahn, to a haughty New York art gallery owner) and make it look
not just so easy, but deliver compelling performances with each role they
undertake. And Martin Ferland’s set design convincingly evokes the starkness
and simplicity of both the Levs’ Brooklyn apartment and an artist’s studio
around 65 years ago.
What a masterful
way for the Segal Centre to start its 2016-2017 season. For more information,
or to purchase tickets, call 514-739-7944, or go to www.segalcentre.org.
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